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master's thesis
KONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK
2018. urn:nbn:hr:172:681511
Šeput, Ivana
University of Split
Faculty of Humanities and Social Sciences
Department of Croatian Language and Literature

Cite this document

Šeput, I. (2018). KONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK (Master's thesis). Split: University of Split, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:681511

Šeput, Ivana. "KONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2018. https://urn.nsk.hr/urn:nbn:hr:172:681511

Šeput, Ivana. "KONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2018. https://urn.nsk.hr/urn:nbn:hr:172:681511

Šeput, I. (2018). 'KONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK', Master's thesis, University of Split, Faculty of Humanities and Social Sciences, accessed 19 April 2024, https://urn.nsk.hr/urn:nbn:hr:172:681511

Šeput I. KONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK [Master's thesis]. Split: University of Split, Faculty of Humanities and Social Sciences; 2018 [cited 2024 April 19] Available at: https://urn.nsk.hr/urn:nbn:hr:172:681511

I. Šeput, "KONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK", Master's thesis, University of Split, Faculty of Humanities and Social Sciences, Split, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:172:681511

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Metadata
TitleKONTRASTIVNA ANALIZA FIGURATIVNOSTI SHAKESPEAREOVA MACBETHA U ORIGINALU I TRIMA PRIJEVODIMA NA HRVATSKI JEZIK
Title (english)CONTRASTIVE ANALYSIS OF FIGURATIVNESS IN SHAKESPEARE'S MACBETH AND ITS THREE CROATIAN TRANSLATIONS
AuthorIvana Šeput
MentorAnita Runjić-Stoilova (mentor)
Committee memberAnita Runjić-Stoilova (predsjednik povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences
(Department of Croatian Language and Literature)
Split
Defense date and country2018-09-27, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Croatian Studies
Abstract
Ovaj diplomski rad sastoji se od teoretskog i praktičnog djela. U prvom dijelu rada govori se o Shakespeareovu životu i stvaralaštvu te djelu Macbeth. Spominje se također recepcija Shakespearea u Hrvatskoj te prve prerade i prijevodi njegovih djela. U nastavku se govori o književnoumjetničkom stilu te se definira metafora. Pojašnjena je teorija prevođenja i kontrastivna analiza, te se objašnjava metodologija praktičnog dijela rada. Drugi dio rada čini analiza metafora iz prva dva čina Macbetha. U originalnom tekstu istaknute su metafore te se analizira njihov ostvaraj kod trojice hrvatskih prevoditelja: Josipa Torbarine, Vladimira Nazora i Mate Marasa. U analizi je naglasak na pitanjima je li metafora zadržana, izgubljena ili izmijenjena. Analiza je pokazala da je metaforičnost najbolje zadržana kod Marasa, potom kod Torbarine, a najmanje kod Nazora koji metaforu ponekad gubi a ponekad i zamjenjuje drugačijim izrazom. Svi prevoditelji ostvarili su uspjele prijevode drame Macbeth, prigodne za svoje vrijeme i čitateljsku publiku.
Abstract (english)
This graduate thesis consists of a theoretical and practical part. In the first part of the thesis, the author discusses Shakespeare's life and creation and tragedy Macbeth. Reception of Shakespeare in Croatia is also mentioned, as well as first translations of his works. Following part concentrates on literary style and metaphor. Also, translation theory and contrastive analysis are explained, as the methodology of the practical part. The second part of the work involves the analysis of the metaphor in the first two acts of Macbeth. Metaphors are highlighted in the original text and then compared with three Croatian translations – that of Vladimir Nazor, Josip Torbarina and Mate Maras. The analysis focuses on whether the metaphor is retained, lost or altered. The analysis has shown that metaphors are best retained in Maras' translation, then in Torbarina's, and the least in Nazor's translation, where metaphors are sometimes lost or replaced with a different expression. All three translators have made successful translations of Macbeth, suitable for the period of its emergence and corresponding reader audience
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:172:681511
Study programmeTitle: Croatian language and literature; specializations in: Teacher Training, Croatian Cultural Studies
Course: Teacher Training
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra hrvatskog jezika i književnosti (magistar/magistra hrvatskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2018-11-14 07:48:19