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Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster
U: Journal of the International Symposium of Students of English, Croatian and Italian Studies. / Božanić, Petra (ur.). Split: University of Split, Faculty of Humanities and Social Sciences, 2019. str. 98-117. urn:nbn:hr:172:446532
Schneider, Judith

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Schneider, J. (2019). Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster. U P. Božanić, (Ur.), Journal of the International Symposium of Students of English, Croatian and Italian Studies (str. 98-117). Split: University of Split, Faculty of Humanities and Social Sciences. Preuzeto s https://urn.nsk.hr/urn:nbn:hr:172:446532

Schneider, Judith. "Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster." Journal of the International Symposium of Students of English, Croatian and Italian Studies, Ur. Petra Božanić, University of Split, Faculty of Humanities and Social Sciences, 2019, str. 98-117. https://urn.nsk.hr/urn:nbn:hr:172:446532

Schneider, Judith. "Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster." U Journal of the International Symposium of Students of English, Croatian and Italian Studies, 98-117. Split: University of Split, Faculty of Humanities and Social Sciences, 2019. Citirano 28.09.2024.. https://urn.nsk.hr/urn:nbn:hr:172:446532

Schneider, J. (2019) 'Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster', u Božanić, P. (ur.), Journal of the International Symposium of Students of English, Croatian and Italian Studies, University of Split, Faculty of Humanities and Social Sciences, Split, str. 98-117. Preuzeto s: https://urn.nsk.hr/urn:nbn:hr:172:446532 (Datum pristupa: 28.09.2024.)

Schneider J. Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster. U: P. Božanić, ur. Journal of the International Symposium of Students of English, Croatian and Italian Studies. Split: University of Split, Faculty of Humanities and Social Sciences; 2019. Str. 98-117. [pristupljeno 28.09.2024.] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:172:446532

J. Schneider, "Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster", Journal of the International Symposium of Students of English, Croatian and Italian Studies, P. Božanić, Ur. Split: University of Split, Faculty of Humanities and Social Sciences, 2019. [Online] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:172:446532 [Citirano: 28.09.2024.]

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Naslov (engleski)Gender Transgression in Alfred Hitchcock’s Psycho and Patty Jenkins’s Monster
AutorJudith Schneider
UrednikPetra Božanić
Autorova ustanovaSveučilište u Splitu
Filozofski fakultet
Znanstveno / umjetničko
područje, polje i grana		HUMANISTIČKE ZNANOSTI
Znanost o umjetnosti
Filmologija
Sažetak (engleski)
While Alfred Hitchcock’s Psycho (1960) and Patty Jenkins’s Monster (2003) are of very different genres, both films depict protagonists with certain commonalities. Psycho’s Norman Bates and Monster’s Aileen Wuornos turn into murderers for similar reasons. They are, on the one hand, influenced by their childhood experiences of having been emotionally and/or physically neglected and abused by the opposite sex respectively. These traumatic experiences of powerlessness and helplessness lead to their eventual adoption of the role of the other gender as a way to gain the same power and control that formerly oppressed them. While Norman fully identifies with his mother at the end of the movie, Aileen adopts a typically male role by providing for her lesbian lover Selby and by murdering men who are normally more powerful than she is. Moreover, they do not fit into classic, heteronormative categories considering their own sexuality, which makes it impossible for them to take part in society which accepts them, linking their sexuality to their pathological, criminal behavior. This is as yet clearly indicated in the titles, mirroring the social perception of the protagonists. My analysis follows their journey through life, concentrating on how their depictions in their respective films underline the thesis of Norman and Aileen taking over behavioral patterns of the opposite gender in order to escape their own helplessness and dependence.
Ključne riječi (engleski)
Jezikengleski
Vrsta publikacijeZnanstveni rad - Izvorni znanstveni rad
Status objaveObjavljen
Vrsta recenzijeRecenziran
Verzija publikacijeObjavljena verzija rada (izdavačev PDF)
Naslov zbornikaJournal of the International Symposium of Students of English, Croatian and Italian Studies
Brojčani podacibr. 2, str. 98-117
ISBN978-953-352-037-7
URN:NBNurn:nbn:hr:172:446532
Datum objave publikacije2019-10-10
SkupNaziv: Third International Symposium of Students of English, Croatian and Italian Studies: Express the Repressed
Lokacija: Split, Hrvatska
Organizator: Udruga iTHEom
Datum početka: 2018-10-04
Datum završetka: 2018-10-06
Vrsta izlaganja: Predavanje
Vrsta resursaTekst
IzdavačUniversity of Split, Faculty of Humanities and Social Sciences
Mjesto izdavanjaSplit
Prava pristupaOtvoreni pristup
Uvjeti korištenjaIkona licence Zaštićeno autorskim pravom.
Datum i vrijeme pohrane2019-10-23 15:30:05