prikaz prve stranice dokumenta Protuosmanska ikonografija na likovnim djelima istočne obale
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undergraduate thesis
Protuosmanska ikonografija na likovnim djelima istočne obale
2015. urn:nbn:hr:172:000906
Ćapalija, Klara
University of Split
Faculty of Humanities and Social Sciences, University of Split
Department of Art History

Cite this document

Ćapalija, K. (2015). Protuosmanska ikonografija na likovnim djelima istočne obale (Undergraduate thesis). Split: University of Split, Faculty of Humanities and Social Sciences, University of Split. Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:000906

Ćapalija, Klara. "Protuosmanska ikonografija na likovnim djelima istočne obale." Undergraduate thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2015. https://urn.nsk.hr/urn:nbn:hr:172:000906

Ćapalija, Klara. "Protuosmanska ikonografija na likovnim djelima istočne obale." Undergraduate thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2015. https://urn.nsk.hr/urn:nbn:hr:172:000906

Ćapalija, K. (2015). 'Protuosmanska ikonografija na likovnim djelima istočne obale', Undergraduate thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, accessed 05 December 2023, https://urn.nsk.hr/urn:nbn:hr:172:000906

Ćapalija K. Protuosmanska ikonografija na likovnim djelima istočne obale [Undergraduate thesis]. Split: University of Split, Faculty of Humanities and Social Sciences, University of Split; 2015 [cited 2023 December 05] Available at: https://urn.nsk.hr/urn:nbn:hr:172:000906

K. Ćapalija, "Protuosmanska ikonografija na likovnim djelima istočne obale", Undergraduate thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, Split, 2015. Available at: https://urn.nsk.hr/urn:nbn:hr:172:000906

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Metadata
TitleProtuosmanska ikonografija na likovnim djelima istočne obale
AuthorKlara Ćapalija
MentorIvana Čapeta Rakić (mentor)
Committee memberIvana Čapeta Rakić (predsjednik povjerenstva)
Committee memberIvana Prijatelj Pavičić (član povjerenstva)
Committee memberDalibor Prančević (član povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences, University of Split
(Department of Art History)
Split
Defense date and country2015-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications
Abstract
Rad ne sadrži sažetak.
Abstract (english)
In this paper, the author tries to show just how much has the Ottoman expansion, and the immediate threat it brought influenced art on the eastern coast of the Adriatic sea. The Battle of Lepanto can be viewed as a turning point in the popularity of artwork depicting anti-Ottoman iconography, in large thanks to the state getting involved in the procurement of such items. Certain monastic oders, fraternitis and local nobles comissioned paintings depicting the Blessed Virgin Mary, certain saints, popes, kings and other nobles as an act of gratitude to the protagonists of the paintings for stopping the Ottoman advances. Also, most of these paintings were made by foreign artists. The most portrayed figure of the paintings was the Blessed Virgin Mary who was considered to be the most efficient protector against the Ottoman threat, and it was her to whom the people looked for help the most durings times of truble.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:172:000906
Study programmeTitle: Art History
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/aprvostupnik/prvostupnica (baccalaureus/baccalaurea)povijesti umjetnosti (sveučilišni/aprvostupnik/prvostupnica (baccalaureus/baccalaurea)povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2017-10-11 10:08:54