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master's thesis
NEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI
2021. urn:nbn:hr:172:554816
Novak, Jelena
University of Split
Faculty of Humanities and Social Sciences, University of Split

Cite this document

Novak, J. (2021). NEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI (Master's thesis). Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:554816

Novak, Jelena. "NEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2021. https://urn.nsk.hr/urn:nbn:hr:172:554816

Novak, Jelena. "NEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2021. https://urn.nsk.hr/urn:nbn:hr:172:554816

Novak, J. (2021). 'NEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI', Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, accessed 29 March 2023, https://urn.nsk.hr/urn:nbn:hr:172:554816

Novak J. NEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI [Master's thesis]. Split: University of Split, Faculty of Humanities and Social Sciences, University of Split; 2021 [cited 2023 March 29] Available at: https://urn.nsk.hr/urn:nbn:hr:172:554816

J. Novak, "NEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI", Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, Split, 2021. Available at: https://urn.nsk.hr/urn:nbn:hr:172:554816

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Metadata
TitleNEOPJEVANI ŽENSKI PANDANI ISTAKNUTIH RENESANSNIH UMJETNIKA I NJIHOVA ZASTUPLJENOST U NASTAVI POVIJESTI UMJETNOSTI
Title (english)THE UNSUNG FEMALE COUNTERPARTS OF RENOWNED ITALIAN RENAISSANCE PAINTERS AND THEIR REPRESENTATION IN EDUCATION OF HISTORY OF ART
AuthorJelena Novak
MentorIvana Čapeta Rakić (mentor)
Committee memberIvana Čapeta Rakić (predsjednik povjerenstva)
Committee memberAna Torlak (član povjerenstva)
Committee memberSilva Kalčić (član povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences, University of Split
Split
Defense date and country2021-09-21, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Abstract
Sofonisba Anguissola i Lavinia Fontana nezaobilazne su figure renesansne Italije koje, spominjući se u zapisima velikana poput Vasarija ili Michelangela, svojim likom i djelom predstavljaju presedan svim ženama u umjetnosti koje su od iste pokušavale napraviti karijeru. Iako suvremena povijest umjetnosti navedene umjetnice valorizira kroz teoriju, poglavito feminističku teoriju povijesti umjetnosti, važno je istražiti i ranije zapise koji svjedoče samom umjetničkom radu. Tako osim feminističkih studija Mary Garrad, Griselde Pollock i Linde Nochlin, koje su u kontekstu ovakvog rada nezaobilazne, naglasak se stavlja na samu umjetničku djelatnost i okolnosti života dviju umjetnica koje su, u vremenu dominiranom muškarcima, uspjele iznjedriti opus koji je nesumljivo potvrdio njihovu ulogu svojevrsnih renesansnih virtuosa. Osim uspostavljanja važnosti njihove uloge u kontekstu povijesti umjetnosti, u sklopu rada provodi se i anketa koja za cilj ima istražiti uključenost navedenih ženskih figura u samom nastavnom programu povijesti umjetnosti. Anketa je predviđena kao podloga za poboljšanje postojećeg nastavnog programa koji je i dalje dominiran muškim suvremenicima istaknutih renesansnih umjetnica.
Abstract (english)
Sofonisba Anguissola and Lavinia Fontana are two inescapable figures of the Italian Renaissance who, mentioned in the writings of considerable individuals such as Vasari and Michelangelo, serve as an indisputable precedent for all future women artists whose goal was to make this vocation their actual career. Although contemporary art history readings evaluate these women artists through the lens of theory, namely feminist art history theory, it is also important to explore earlier records that testify to the works of art themselves. Thus, in addition to the feminist studies of Mary Garrad, Griselda Pollock and Linda Nochlin, which are virtually unavoidable in this context, the emphasis is placed on the artistic activity itself and the circumstances of these women artists’ lives who, despite the world being dominated by men, have successfully placed themselves within the tradition of the Italian virtuosa. In addition to establishing the importance of their role in the context of art history, the paper also conducts a survey that aims to explore the inclusion of these female figures in the curriculum of art history. The survey is intended as a basis for improving the existing curriculum, which is still dominated by male contemporaries of the aforementioned prominent female Renaissance artists.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:172:554816
Study programmeTitle: Art History; specializations in: Teacher Education
Course: Teacher Education
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacije povijesti umjetnosti (magistar/magistra edukacije povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2021-10-27 09:56:31