The thesis deals with the visual representations of the myths of the origin of the world, among the non-Indo-European peoples of the Mediterranean (Egyptians, Sumerians, Babylonians, Canaanites, Hebrews) in the period of antiquity. At the beginning, the goals and methods of work are presented, as well as a brief introduction about the myths of Cosmogenesis. Each chapter gives a brief insight into the civilization and history of each nation, and analyzes the artistic depictions of the creation of the world with a retold myth. The Egyptians are characterized by numerous myths of the origin of the world, and a different doctrine ruled in each city, depending on the political center in Egypt throughout history. The paper deals with myths from four Egyptian cities and four Cosmogenesis, whose scenes and figures are shown mainly on funeral papyri and the walls of Pharaonic tombs. The myths of the Semitic peoples are described below, and the Sumerians are one of them. Although they had no access to the Mediterranean, they had a great influence on other Semites. The Babylonian epic Enuma Elish is considered one of the longest texts in the creation of the world, and the work presents scenes of the Babylonian myth carved on cylindrical seals. Two Canaanite gods involved in Cosmogenesis are shown, but little was known about the myth, as the Canaanite texts did not contain descriptions of Cosmogenesis. The Jews do not have visual representations of deities, and neither do the creations of the world in antiquity. The conclusion brings a synthesis of retold and presented myths with common motives and different components.