The thesis The Depiction of the figure in fine art by Sanja Zirojević explores the development of the depiction of the human figure throughout various historical periods and styles, from prehistory to contemporary art. Analyzed how social, cultural, and aesthetic changes have influenced the portrayal of the human body in art. Early depictions, such as the Venus of Willendorf, emphasize fertility and religious symbolism. In Mesopotamian and Egyptian art, figures were presented canonically, aiming for symbolic representation. Greek and Roman art introduced realism and idealized proportions, portraying the figure in motion with an emphasis on aesthetic beauty. With the advent of Christianity and Byzantine art, the figure became stylized, devoid of movement and realism. Renaissance art rediscovered the beauty of the human figure through studies of anatomy and perspective. Artists portrayed realistic and idealized figures. As modern artistic movements evolved, including Impressionism, Expressionism, Cubism, and Surrealism, the figure became a means for expressing subjective emotions and ideas. Abstract and conceptual art abandoned the classical depiction of the figure, focusing on ideas and processes. Conceptual art uses the body as a medium to convey messages, notably in movements such as performance and body art. The thesis highlights how the figure has remained a constant source of inspiration, adapting to various cultural and social changes.