prikaz prve stranice dokumenta KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE
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master's thesis
KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE
2018. urn:nbn:hr:172:520580
Kragujević, Mia
University of Split
Faculty of Humanities and Social Sciences, University of Split
Department of Art History

Cite this document

Kragujević, M. (2018). KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE (Master's thesis). Split: University of Split, Faculty of Humanities and Social Sciences, University of Split. Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:520580

Kragujević, Mia. "KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2018. https://urn.nsk.hr/urn:nbn:hr:172:520580

Kragujević, Mia. "KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2018. https://urn.nsk.hr/urn:nbn:hr:172:520580

Kragujević, M. (2018). 'KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE', Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, accessed 11 April 2024, https://urn.nsk.hr/urn:nbn:hr:172:520580

Kragujević M. KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE [Master's thesis]. Split: University of Split, Faculty of Humanities and Social Sciences, University of Split; 2018 [cited 2024 April 11] Available at: https://urn.nsk.hr/urn:nbn:hr:172:520580

M. Kragujević, "KOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE", Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, Split, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:172:520580

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Metadata
TitleKOMPARATIVNA STUDIJA PRIKAZIVANJA ŽENA NA PRIMJERIMA SLIKARSTVA DOMAĆIH I EUROPSKIH UMJETNIKA U RAZDOBLJU FIN DE SIECLE
Title (english)A COMPARATIVE STUDY ON THE REPRESENTATION OF WOMEN AS DEPICTED BY LOCAL AND EUROPEAN ARTISTS DURING THE FIN DE SIECLE
AuthorMia Kragujević
MentorDalibor Prančević (mentor)
Committee memberIvana Čapeta Rakić (predsjednik povjerenstva)
Committee memberIvana Meštrov (član povjerenstva)
Committee memberDalibor Prančević (član povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences, University of Split
(Department of Art History)
Split
Defense date and country2018-12-20, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
History of Art
Abstract
Tema ovog diplomskog rada je komparacija prikaza žena na primjerima slikarstva europskih i domaćih umjetnika u razdoblju fin de siècla, a temelji se na istraživanju utjecaja europskih umjetnika na hrvatske. Polazište istraživanja su promjene koje su zadesile društvo u kojem su žene tražile vlastita prava. Sukladno promjeni statusa žene, umjetnici poput Toulouse-Lautreca, Beardsleya, Klimta i Muche stvarali su vlastite vizije femme nouvelle u kojima se manifestirala u različitim oblicima - od one fatalne i prijeteće, pa sve do submisivne, svedene tek na objekt. Mlada generacija hrvatskih umjetnika poput Čikoša-Sesije, Krizmana, Auera i Račkog školovala se u europskim metropolama gdje su se osobno susretali s radovima stranih autora te su povratkom u domovinu razvijali vlastite inačice nove žene. Uz pregled primjera stranih, a potom i domaćih umjetnika, prikazani su i primjeri dviju umjetnica, Berthe Morisot i Naste Rojc, koje su unatoč preprekama patrijarhalnog društva, ravnopravno muškim kolegama, sudjelovale na izložbama, a svojim radovima se suprotstavljale muškim idejama žene.
Abstract (english)
The subject of the present final thesis is a comparison of the portrayal of women in the paintings of European and Croatian artists of fin de siècle. It is based on the research of the impact of European artists on the Croatian ones. The starting point of the research were the changes that befell the society in which women demanded their own rights. In line with the change of status of women, the artists, e.g. Toulouse-Lautrec, Beardsley, Klimt and Mucha created their own visions of femme nouvelle which took on different shapes – from the fatal and threatening, to a submissive one, reduced to a mere object. The young generation of Croatian artists such as Čikoš-Sesija, Krizman, Auer and Rački studied in European largest cities where they had the chance to see the works of foreign authors personally, which allowed them to develop their own versions of a new woman upon their return home. Together with an overview of the foreign artists, followed by the Croatian ones, two female artists were portrayed, too: Berthe Morisot and Nasta Rojc who, despite the hindrances of the modern society, participated in exhibitions equally with their male counterparts, and with their work they opposed the male ideas of a woman.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:172:520580
Study programmeTitle: Art History; specializations in: Teacher Education
Course: Teacher Education
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacije povijesti umjetnosti (magistar/magistra edukacije povijesti umjetnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2019-01-03 10:13:37