prikaz prve stranice dokumenta SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ
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master's thesis
SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ
2020. urn:nbn:hr:172:534660
Kujundžić, Laura
University of Split
Faculty of Humanities and Social Sciences
Department of Croatian Language and Literature

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Kujundžić, L. (2020). SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ (Master's thesis). Split: University of Split, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:534660

Kujundžić, Laura. "SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2020. https://urn.nsk.hr/urn:nbn:hr:172:534660

Kujundžić, Laura. "SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, 2020. https://urn.nsk.hr/urn:nbn:hr:172:534660

Kujundžić, L. (2020). 'SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ', Master's thesis, University of Split, Faculty of Humanities and Social Sciences, accessed 24 September 2024, https://urn.nsk.hr/urn:nbn:hr:172:534660

Kujundžić L. SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ [Master's thesis]. Split: University of Split, Faculty of Humanities and Social Sciences; 2020 [cited 2024 September 24] Available at: https://urn.nsk.hr/urn:nbn:hr:172:534660

L. Kujundžić, "SLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ", Master's thesis, University of Split, Faculty of Humanities and Social Sciences, Split, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:172:534660

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Metadata
TitleSLIKA I (AUTO)REPREZENTACIJA UMJETNICA U ROMANIMA "FRIDA ILI O BOLI" I "DORA I MINOTAUR" SLAVENKE DRAKULIĆ
Title (english)THE PORTRAIT AND (AUTO)REPRESENTATION IN NOVELS "FRIDA OR ABOUT THE PAIN" AND "DORA AND MINOTAUR" OF SLAVENKA DRAKULIĆ
AuthorLaura Kujundžić
MentorEni Buljubašić (mentor)
Committee memberEni Buljubašić (član povjerenstva)
Committee memberNikola Sunara (član povjerenstva)
Committee memberJosipa Korljan Bešlić (član povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences
(Department of Croatian Language and Literature)
Split
Defense date and country2020-12-16, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Croatian Studies
Abstract
Rad donosi prikaz analize dvaju romana hrvatske književnice Slavenke Drakulić. Prvi roman, Frida ili o boli, uvodi čitatelja u intimni svijet slavne meksičke slikarice, a u radu se problematizira način autoreprezentacije umjetničina tijela i njezina identiteta konstruirana bolom. Drugi roman, Dora i Minotaur, govori o, kako je istaknuto u podnaslovu romana, životu Dore Maar s Pablom Picassom. Dvoje je umjetnika živjelo strastvenu vezu koja je zasjenila Dorinu ljubav prema fotografiji i nju ostavila ogoljenom, izranjane osobnosti. Rad pruža stilističko, ikonografsko i feminističko tumačenje reprezentacije Dorina lika, karaktera, temperamentnosti i pasivnosti iz optike Picassova kista. Na kraju se izdvajaju glavna obilježja reprezentacije obiju umjetnica na temelju kojih se utvrđuje njihova sličnost i razlika.
Abstract (english)
This paper presents the analyses of two novels written by the Croatian writer Slavenka Drakulić. The first novel, Frida's Bed, introduces the reader to the intimate world of the famous Mexican painter. Pertaining to the aforementioned novel, the focus of this paper is to inspect the way in which the self-presentation of the artist’s body and her identity shaped by fear takes place. The second novel, Dora and the Minotaur, is about, as highlighted in the novel’s subtitle, the life of Dora Maar with Pablo Picasso. The passionate relationship the two artists shared eclipsed Dora’s love of photography and left her bare, with a wounded personality. This paper provides a stylistic, iconographic and feminist interpretation of the presentation of Dora’s character, personality, temperament and passivity as observed from the lens of Picasso’s brush. The paper closes by focusing on the main features of the ways the two authors (Frida and Dora) are presented, on the basis of which their similarities and differences are ascertained.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:172:534660
Study programmeTitle: Croatian language and literature; specializations in: Teacher Training, Croatian Cultural Studies
Course: Teacher Training
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra hrvatskog jezika i književnosti (magistar/magistra hrvatskog jezika i književnosti)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2021-01-08 10:18:13