The subject of this thesis is the artistic work of Viktor Popović, an artist who has a significant influence on the art scene of Split and Croatia. His career includes numerous exhibitions held in Croatia and across the world, including Berlin and New York, some of which are discussed in this thesis. We begin with an introduction, outlining the topics that will be elaborated later. The initial section introduces the artist, his approacs to his art and exhibitions. We highlight his exhibition ath the Juraj Plančić Gallery in Stari Grad on Hvar, mention the exhibition in Komiža on Vis and recall the exhibition held in Rijeka. His key work includes Rubber cage, Untitled, 2009. and spider web in Untitled, 2011. The central focus of this thesis is Popović's research project Split 3, starting with the exhibition Untitled (Archive ST3). We discuss his research of historical significance of the Military Hospital in Split. Further, we highlight the rest of the project through the exhibition Untitled (Archive ST3: Contents) and Untitled (Archive ST3: Military Hospital). Within these exhibitions, the artist combined different media in order to achive striking visual compositions. We later cover the exhibition Untitled (Archive: Zenišće), which explore abandoned tourist complex in Zenišće Bay near Jelsa on Hvar. The final works discussed in relation to the Archive ST3 project include an intervention on the facade of the Faculty of Humanities and Social Sciences in Split and the exhibition at the Kula Gallery. The conclusion reflects on Split itself, as the environment where many artists have developed throughout history.