prikaz prve stranice dokumenta Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera
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master's thesis
Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera
2015. urn:nbn:hr:172:992428
Guja, Kristina
University of Split
Faculty of Humanities and Social Sciences, University of Split
Department of Philosophy

Cite this document

Guja, K. (2015). Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera (Master's thesis). Split: University of Split, Faculty of Humanities and Social Sciences, University of Split. Retrieved from https://urn.nsk.hr/urn:nbn:hr:172:992428

Guja, Kristina. "Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2015. https://urn.nsk.hr/urn:nbn:hr:172:992428

Guja, Kristina. "Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera." Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, 2015. https://urn.nsk.hr/urn:nbn:hr:172:992428

Guja, K. (2015). 'Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera', Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, accessed 27 May 2023, https://urn.nsk.hr/urn:nbn:hr:172:992428

Guja K. Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera [Master's thesis]. Split: University of Split, Faculty of Humanities and Social Sciences, University of Split; 2015 [cited 2023 May 27] Available at: https://urn.nsk.hr/urn:nbn:hr:172:992428

K. Guja, "Poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera", Master's thesis, University of Split, Faculty of Humanities and Social Sciences, University of Split, Split, 2015. Available at: https://urn.nsk.hr/urn:nbn:hr:172:992428

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Metadata
TitlePoimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassiera
AuthorKristina Guja
MentorZdravko Radman (mentor)
Committee memberZdravko Radman (predsjednik povjerenstva)
Committee memberMarita Brčić Kuljiš (član povjerenstva)
Committee memberTonći Kokić (član povjerenstva)
GranterUniversity of Split
Faculty of Humanities and Social Sciences, University of Split
(Department of Philosophy)
Split
Defense date and country2015-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philosophy
Esthetics
Abstract
Tema ovog diplomskog rada je poimanje umjetnosti u filozofiji simboličkih oblika Ernsta Cassirera. Do simboličkih oblika Cassirer dolazi pošavši od novokantovske zaokupljenosti problemom spoznaje. S kritikom uma kao temeljem, Cassirer gradi svoju filozofiju kulture, u sklopu koje definira čovjeka kao animal symbolicum. U središnjem dijelu redom se izlažu simbolički oblici (mit i religija, jezik, umjetnost, povijest, i znanost), koje Cassirer smatra tvorbenim elementima u procesu izgradnje kulturnog svijeta. Pri tome se najiscrpnije razmatra umjetnost, koja u sustavu simboličkih oblika zauzima specifičan položaj, što je ujedno i glavna teza rada. Ona se nalazi na razmeđi mitskog i znanstvenog pogleda na svijet. Umjetničko djelo nosi u sebi karakter simboličnosti te je jasno organizirana i artikulirana cjelina, iako se bavi nečim naizgled neizrecivim. Nakon što se temeljito analiziraju svi pojedini simbolički oblici koje Cassirer navodi, u radu se analizira sinteza odnosa umjetnosti prema ostalim simboličkim oblicima, te se izlažu njihove međusobne sličnosti i razlike pri sačinjavanju skladnog strukturnog jedinstva. Na koncu se ukratko iznosi suvremena recepcija Cassirerove filozofije simboličkih oblika, poglavito na primjeru S. K. Langer i N. Goodmana.
Abstract (english)
The major theme of this graduate work is Ernst Cassirer's interpretation and understanding of art as elaborated in his philosophy of symbolic forms. The first part of it is devoted to Cassirer’s initial encounter with the symbolic in the context of new kantean problem of cognition. He has developed his philosophy of culture, based on the critic of the mind, in which he defines human as animal symbolicum. The central part of the work is focused on the symbolic forms (myth and religion, language, art, history, and science), which are considered to be basic elements in the process of development of the cultural world. Attention is specifically paid to art, as it occupies a prominent position in the system of symbolic forms, and is considered to provide a specific source of knowledge. That is one of the major assumptions of the work. Art is positioned between the mythical and scientific view of the world. Work of art has symbolic power and is clearly organized and articulated unit, although it need not refer to anything real. After thorough insight into the particular symbolic forms, I analyze how is related to other symbolic forms, and how their mutual similarities and differences are exposed when creating a harmonious structural unity. In the concluding part I turn to the more recent reception of Cassirer's philosophy of symbolic forms as exemplified by the philosophical work of S. K. Langer and N. Goodman.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:172:992428
Study programmeTitle: Philosophy; specializations in: /
Course: /
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra edukacije filozofije (magistar/magistra edukacije filozofije)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2017-09-11 08:50:06