This thesis offers a representation of different constructions of feminine identities in prose works of Ivo Andrić. The purpose was to show how female characters were created from the perspective of a male autohr and what his intention was. The thesis consists of two parts. In the first part, the theoretic one, the main subject is the position of women which changed during time, accompanied with an overview of basic facts about the most important feminist theories. That kind of an introduction functions as a base for the second, analytic part of the thesis in which the main subject were the works of Ivo Andrić. The following works of Andrić were selected for the analysis of female characters: Put Alije Đerzeleza, Mara Milosnica, Anikina vremena, Gospođica, Jelena, žena koje nema. The works were selected beacuse they problematize the construction of a female world, the analysis of which reaches right into the center of the preoccupations of the thesis. This kind of analysis makes clear that a female world shown by Andrić often looks like a female world in reality, more specifically, through the construction of his female characters Andrić was addressing (very often with irony) problems that were (and to a significant degree still are) present in those times.