This final thesis deals with the artistic value of the Shrine of Our Lady of the Rocs, mostly from the baroque time. The sanctuary is located on an artificial islet near the town of Perast in Boka Kotorska. Although the islet began to be built by filling with stones on the cliff in the middle of the 15th century because according to legend a picture of Our Lady with the baby Jesus was found there, the prominent period is the 17th and 18th centuries because the city of Perast then experienced its economic and cultural flourishing in the context of the Venetian Republic. Since the whole symbolism of the Sanctuary literally emerges from the religious power of the locals through the centuries, and is intertwined with the social political life of the community and the environment, this work also tries to evoke that context Political -territorial, economic and culturally-artistic connection between Adriatic cities under the rule of the Venetian Republic, from Istria to Boka, is depicted on the microplane by the Shrine of Our Lady of the Rocks under the rule and care of Perastans, and especially two: the patron Andrija Zmajević and the painter Tripo Kokolja.